Wednesday, June 14, 2017

Circus Rambles - Moana

I can't call this a full review, so I'm instead calling it a ramble.

I saw Moana right at the end of 2016 with a friend, and throughout the movie I had this certain nagging feeling that I couldn't quite put a name to. I eventually figured it out, though: guilt. Specifically, I felt guilty for not being as into Moana as I should have been.

There are so many points in this movie's favor. It has good music, great voice acting, absolutely gorgeous animation. I really appreciate that Moana and Maui are just friends and never develop anything romantic; it's refreshing. The scenes with Moana and her grandmother are heartwarming, and there's a particular scene with the two of them near the end that I won't spoil but that literally moved me to tears. I was really close to my grandmother before she passed away in 2011, and so that hit close to home for me.

But...something about it keeps me from calling it an amazing movie. I guess part of it is the story? Nothing in the story itself ever really grabbed me, with the exception of the ending, which I thought did enough different from the Disney norm to be really interesting. And I never got attached to the pig or the rooster, whose names I don't remember at the moment. In a movie that works so hard to subvert Disney tropes, they felt particularly unnecessary, and I didn't find their antics charming most of the time. It's especially egregious that there are two sidekicks at all, when only one of them even goes on the big epic journey.

I definitely can't say that I disliked this movie, and on some level I feel like I'm nitpicking. But I just can't call Moana great. I can call it good, though. It was definitely good, and I still feel comfortable recommending it. I'm just not in love here. Or rather, I'm in love with parts but not with the whole. I know...I'm a horrible person.

Monday, May 29, 2017

Circus Rambles - On really needing to use this blog more often, and on Portland

Have I mentioned that mental illness sucks in the last five minutes? Mental illness sucks, especially in the last five minutes. Because it ramps up my existing guilt about not blogging as often as I should and makes it really not very fun.

I'm trying to be more active on social media these days. Or, I'm trying to make like a writer and actually fucking write every now and then. So I'm going to try and make blog posts out of my semi-demented ramblings to the stuffed bear that lives in my bed. If nothing else, it will be good future material for the psychological study into why I lost my mind.

For those who didn't realize, I moved to the Portland metro area at the beginning of this year. So far, despite PTSD and generally high stress all around, I love it here. It's beautiful in ways I didn't expect, and I am so glad that I came here. I think the most surprising thing is all the flowers. I had no idea, but Portland prides itself on its flowers. They're everywhere, and this time of year especially, they're just so...gorgeous. And the trees. So many pretty evergreens.

You've probably heard the rain stereotype about the Pacific Northwest. Well, it seems like it's true to me, but I have heard over and over again from locals that the weather this year was unusually bad and normally it isn't this rainy in the winter. I have nothing to compare it to as of yet, but it didn't really bother me. That's another thing about the rain stereotype: because it's at least partly true, everyone's used to it. If you use an umbrella, you are immediately branded as an out-of-towner. Maybe not out loud, but people will be thinking it at you. If you live here, you wear a jacket with a hood and you go about your life.

I'm not really happy at this point in my life, but I recognize that the pieces of my happiness are somewhere to be found here. I'm fairly certain that a majority of them reside at Powell's, the best bookstore in the world.

Oh yeah, today I went to Powell's and bought this inspiring thing:


https://squareup.com/store/impossiblewings/item/anyone-can-paint-their-nails-because-gender-is-imaginary-everything-is-meaningless-love-is-a-myth-sex-is-gross-we-all-die-alone-and-our-stupid-bodies-will-soon-return-to-the-dust-from-whence-they-came

It is beautiful and inspiring and I love it. Once I finish it I may have to write another post on my feelings for it.

My eyes are getting tired...Good night, strange little world.

Wednesday, May 17, 2017

Long overdue update which is actually kind of a good exciting sort of thing

Hi again...

I've basically been trying to rebuild both my writing career (if you want to call it that) and my mental health from the ground up over the last several months. I've managed to be at least a bit more active on social media and I am in fact writing a lot of things, but I have been shamefully neglectful of this blog, and I apologize for that.

I've mentioned this in places before, but in March of this year, I was diagnosed with PTSD, on top of my previous diagnoses of persistent depressive disorder and social anxiety. The details are a story that I'm nowhere near ready to tell yet, so all I'll say is that PTSD is just...the worst. The fucking worst. I would wish death on my enemies before I wished PTSD on them.

So anyway. In the course of all this rebuilding, I've thought a lot about what I want to write and how I want to handle writing going forward. I've thought about what exactly I want to write, and how I want to publish the things I do write. I have a pretty good handle on some of the stuff I want to do, but other things I'm still figuring out.

To put it shortly, I have come to the realization that I was trying really hard to force myself into a small, marketable box. I thought that "real" writers only wrote one kind of thing, like novelists only wrote novels and poets only wrote poetry, and if I didn't pick one thing and stick to it I would never get anywhere. Honestly, I can still kind of see the case for that on some level, although I no longer think it's that simple.

But here's the thing. I love to write. I have to write. I can't NOT write. And so, that's what I'm going to do. I don't want to be hung up on how many views I have, or how do I get big, or how do I be more visible. I just want to create things and put them out there. And that's what I'm going to do. I'm writing what I want to write. Poems, visual novels, essays, text-based games...There's a ton of different stuff that I want to do and I need to stop telling myself that I can't, because I don't think there's a good reason why I can't.

So what does this mean for Some Strange Circus? A couple of things. My website has been undergoing edits for a while, but is currently in a mostly stable state, although there are still some squirrelly bits. (Like the fact that there's a place where an Etsy shop that I haven't actually opened yet should be linked...Ahem.) I've also redone my Patreon page with new and less expensive reward tiers, so check that out if you're interested! (It too is still a tiny bit squirrelly in places.)

I'm currently trying to buckle down on finally finishing Yumi-chan's Wonderful Cake Shop, and also writing a bunch of other things. Mostly poetry, but there is this one other thing...

https://themighty.com/2017/05/post-traumatic-stress-disorder-ptsd-doubt/

I will now be writing articles for The Mighty! To be honest, I still feel really, REALLY awkward about having an article published on any website at all. But excited too. The articles that I write for them will mostly be about my personal struggles with mental illness, so they probably won't be happy reads, but I hope that they can help someone understand what going through this is like. This one in particular talks a bit about my PTSD diagnosis and what having it is actually like. I get that it's not going to be everyone's cup of tea, but if you would like to read it, then by all means go ahead.

https://themighty.com/2017/05/post-traumatic-stress-disorder-ptsd-doubt/

(I had to link it just one more time.)

I actually intended this to be a short update, but I seem to have rambled on for quite a while, so I'm going to go ahead and go. Thanks to everyone for your support thus far, and thanks especially to Naomi Norbez, who has been unbelievably supportive for far longer than I deserve. There are good days and bad days, but this actually ended up becoming a good day, and I'm going to go enjoy the rest of it.

Saturday, May 6, 2017

Circus Reviews - The Lonely Hearts Hotel


WARNING: This review contains spoilers for The Lonely Hearts Hotel by Heather O'Neill, and should not be read unless you have finished the novel. It also makes references to The Night Circus by Erin Morgenstern.

As a rule, I generally dislike giving spoilers as part of a general review. However, most of my conflicted feelings regarding this book come from the ending, and thus discussing it is unavoidable.

The Lonely Hearts Hotel follows two orphans, Pierrot and Rose, who are abandoned at a Montreal orphanage in 1914 and grow up together under the care of strict, often abusive nuns. Even as children, they develop an irrepressible bond that is only strengthened by their respective talents: Pierrot is a piano prodigy despite a lack of formal education, and Rose is a charming and talented performer. As a pair, they travel around the city performing for the wealthy, a practice the nuns reluctantly allow for the money that it provides. But when Pierrot and Rose are fifteen, the Great Depression hits, and through a combination of the subsequent hardship and some interference from some of the nuns, Pierrot and Rose are sent to separate homes. While they fare well at first, they both eventually crash down into the dark underbelly of the struggling city. Despite their suffering, they never give up on finding each other, and on breathing life into their childhood plans for the world's most spectacular show.

The writing style is what sticks out the most to me at first. It's highly evocative of The Night Circus by Erin Morgenstern, one of my favorite novels of all time. It's whimsical and lyrical and doesn't so much tell us things as it sings them to us and weaves them into our hair. There is a pretty noticeable difference, though, and that's this novel's simultaneously jarring and grim narrative. The Night Circus is not a 100% happy novel, but it is far from dark; it has a dreamlike story and a narrative that feels gentle even when things look bleak. The Lonely Hearts Hotel, on the other hand, feeds us sugar with one spoon and poison with the other. As I mentioned, the writing style is quite whimsical, but in stark contrast, the events it describes are often horribly nightmarish.

I don't feel it's an exaggeration to say that there's a LOT of sexual abuse in this novel. A lot. As a child, Pierrot is sexually abused by Sister Eloise, one of the nuns (oh, don't worry, I'll get to her), which causes a lot of psychological issues for him down the road, especially when it comes to relationships or the lack thereof. The McMahons, a wealthy family that take in fifteen-year-old Rose as a governess, is headed by a drug dealer and mob boss who takes Rose as a mistress; Rose eventually grows miserable with the arrangement but knows that she will be penniless if she leaves. One she does walk out, she ends up working in porn to support herself. During all of this, she ends up miscarrying two children, and pretty graphically at that. Pierrot, meanwhile, winds up on the street and mostly steals to support his heroin habit, and sleeps with countless girls in an attempt to put both Sister Eloise and Rose out of her mind. All of these events are described so matter-of-factly, at times putting it at odds with the atmosphere that the story creates. Mercifully, however, Pierrot and Rose do eventually reunite after a painful series of missed encounters during which the world itself literally seems to conspire against them, and the loving relationship they develop is a much-needed if brief reprieve, although it too is very sexually explicit.

Pierrot and Rose themselves are fantastic characters to follow. They both possess an amazing charisma, and attract everyone they meet to them without even trying. Pierrot's lack of formal education doesn't keep him from being charming and able to fit in anywhere, while Rose inspires the world around her with her wild spirit. She gradually develops a ravenous ambition fueled by a desire to break out of her assigned gender role, and her years of helplessness in the face of impending poverty.

In comparison, none of the other characters shine as brightly. The only nuns that receive any real characterization are the Mother Superior and Sister Eloise. As mentioned, Eloise begins molesting Pierrot when he is eleven, and soon develops an obsession with him that coincides with Rose seemingly being abused more often. When Eloise discovers Pierrot and Rose's budding love, she grows enraged and beats Rose so violently that it makes the mostly aloof Mother Superior realize that Rose's life is in danger, which is partly what motivates her to send Rose off to work as a governess. Soon after, Pierrot is adopted by a wealthy man and is forced to leave without getting to say goodbye to Rose; he sends letters to the orphanage for her, and Eloise disposes of them. Years later, she also lies to him about where Rose has gone when he comes looking for her. Rose rightly assesses her as a "crazy bitch" and promises to Pierrot that she'll kill her one day...which I'll get to.

McMahon, the man who takes in Rose as a governess and then a mistress, develops a similar obsession with Rose in time, and grows more and more abusive as he finds himself unable to break her spirit as he wishes to. When she finally leaves him, he searches relentlessly for her and tries to have her killed; further down the line, when Pierrot and Rose have married, he also sends women to seduce Pierrot away from her. Rose's initial attraction to him is based on self-debasement; as she puts it, "hating herself was part of what made it feel so good."

Most of the other characters are more minor in comparison, but a majority of them share the occasionally inexplicable trait of wanting to keep Pierrot and Rose from reuniting, sometimes to extremes. You can probably guess that a good portion of the novel has the leads separated and focuses on their efforts to make it back to each other. If this book had kept them apart until the end of the novel, it would have been cruel and I probably would have rated it much lower. Pierrot and Rose's reunion takes long enough as it is, with several near-misses and several outside forces taking direct action to prolong it. But come the reunion does, and it feels like a breath of fresh air to see the couple finally get together. They quickly fall into the relationship they were always meant to have, and the small amount of happiness they are allowed to enjoy is a greatly needed relief.

But sadly, perhaps inevitably, it can't last. The first cracks appear when Rose loses her third pregnancy, but the real tension comes from the plans for the Snowflake Icicle Extravaganza, the show that Pierrot and Rose dreamed of in childhood. When they are finally in a position to try and make their dreams a reality, Rose violently seizes hold of the chance, and while Pierrot goes along enthusiastically at first, he begins to balk when he realizes that Rose has become more fixated on the money than on the show itself and sees what Rose is willing to do, up to and including having McMahon murdered. Their split comes when they have an explosive fight about whether to go back to Montreal after their show's run or stay in New York City; Pierrot wants to stay, while Rose wants to go back, and ultimately the two are not able to reconcile. They go their separate ways; Pierrot falls into despair and poverty once again, and ends up dying of a drug overdose. Rose goes back to Montreal, making good on her threat to kill McMahon, and while she becomes wealthy and successful in the entertainment world, she remains heartbroken by her loss, and is devastated to hear of Pierrot's death.

The final chapter contains an ending that I have some really mixed feelings about. Sister Eloise unexpectedly reappears with Pierrot's illegitimate son in tow and offers to leave him with Rose as penance for the way she acted previously. Rose forgives her and immediately agrees to adopt the boy, deciding that her new mission in life will be to make him happy. As Sister Eloise is leaving, Rose tells one of her men to shoot him, and the body is quickly cleaned up before anyone else can notice.

So on the one hand, I love the cleverness of the foreshadowing for that ending; it ties nicely to a conversation Pierrot and Rose have about Pierrot's childhood sexual abuse. Rose's righteous anger on the behalf of Pierrot isn't focused on much, but admittedly it's a bit satisfying to see that Eloise didn't get away with what she did.

On the other hand, after seeing Pierrot and Rose actually manage to get together and successfully achieve their shared dream, to have it be ripped away in the end makes me really sad. Normally I don't mind sad endings if they fit, but this one bothers me on a level I don't quite understand. Perhaps I just got so invested in the characters that I was that much more crestfallen by the crash. Looking back, if you listen closely, you can see hints that things are inevitably going to fail, but you want to hope that it will turn out all right anyway. Really, though, I think that makes the novel even stronger.

All in all, a powerfully charismatic story that builds up a strong fairy tale and a stronger explosion of its own core.

Sunday, April 16, 2017

Sakura-Con post-mortem

So here's the thing: I generally like conventions, but I've come to realize that I'm pretty bad at them.

I don't like large crowds and I don't like lots of loud noises, but in the past I've been able to ignore that, basically, because there are things I do love about conventions. I love the dealer's room and the artist's alley. I love the general atmosphere. I love seeing cosplay designs that people have worked so hard on. I love being somewhere where I'm not the weird awkward kid for liking anime.

I've come to realize that this is the first convention I've gone to where I went by myself and spent an extended amount of time. I did briefly go to Arkansas Anime Festival in May of 2016, for maybe an hour. But other than that, my past convention experiences have been with friends (or people I thought were friends at the time, but that's another story). I'd like to think that maybe this year's experience could simply be chalked up to not having anyone to share it with. But, like most sad stories, it's a bit more complicated than that.

About a month ago, I was diagnosed with PTSD. This combined with the mental illnesses I've been previously diagnosed with equals terrible mental health for the time being. This isn't the time to go into all the gorey details, but suffice to say that it's been a struggle, especially having just moved to a new area. To put it in a less professional manner: it really fucking sucks. Obviously, wanting to spend large amounts of time in bed and out of sight is a desire that doesn't mash well with attending a convention. But I really did want to enjoy myself. (Also, I'd already reserved the hotel.)

I can't say I didn't enjoy myself, because I did. I got to pick up some swag and see some bright and colorful things and it was nice. But I also ended up driving back home a day early because I couldn't sleep and couldn't stand being around people anymore.

So basically: I had fun, but not nearly as much as I wanted to.

Should I not be telling you all of this? Maybe not. It's not "professional" or anything. But I feel like you guys deserve to know why I've struggled so much producing content these past few months. Also I'm possibly going a bit stir-crazy from not having anyone to ramble at.

I don't really have a suitable conclusion. I'm always really horrible at writing conclusions. So instead, I shall end this with a picture of Seattle, and a promise that con swag pics will come at some point in the very near future. Thanks for reading.


Friday, February 10, 2017

Coming back.

I've been an official-ish resident of the Pacific Northwest for the last couple weeks. Still adjusting, but things are all right so far.

As promised, I'm going to spend the next several weeks retooling my website and getting back into the swing of writing. Some pages on my personal website may look very strange while I'm doing this, and some links to the site may no longer work. It may take a bit, but I'm looking forward to it.

Monday, December 26, 2016

Where have you been, you awkward slug

Well. It's been a while, hasn't it?

I'd like to apologize for being so silent these past several months. It's been a very hard time for me emotionally and financially, and I kind of crawled into a metaphorical hole and fell asleep down there, hoping I could wake up in the spring and everything would be flowery again. Of course, life doesn't work that way. I did wake up, and now my brain has the awkward task of trying to put me back together while I come to terms with a lot of facts. Facts like, really bad things have happened to me and I put off dealing with them for too long. Facts like, I'm a mess right now and scared that I'll never get better. Facts like, I want to try and keep going anyway.

Over the next month, I will be attending job training for a new job I've taken in Washington, 2,000 miles away from my current home in Arkansas. It's a big opportunity and I'm excited and nervous and sad and the whole gauntlet of emotions about it. It does unfortunately necessitate that I continue to remain stepped back from Some Strange Circus for a little while longer, while I go to training and then go get settled in a new state. But I'm determined to keep going. Once I am moved into my new state, I'm going to look at getting things back on track with my writing, which is something that's always been very dear to me.

To those who have supported me in the past, thank you. To those who are reading this, thank you as well.

I'm not okay just yet, but I'm going to work on it.

I'll see you all soon.

Thursday, October 13, 2016

Circus Reviews - 16 Ways To Kill A Vampire At McDonald's


IF Comp is here again, and I didn't enter like I'd planned to. I may be stuck in a hole, but darned if I won't pull something down here with me. So let's play some IF Comp games!

The game centers around a vampire hunter named Lucy who generally just acts as bait for the undead creatures and doesn't do much of the heavy lifting herself. But on her night off, she wanders into a McDonald's and comes face to face with a vampire, with no backup and an adorable cashier to protect. With time ticking down before the vampire makes a move and no way to tackle the vampire head-on, how will Lucy manage to save the day?


I normally tend to go for the story-driven IF games, such as those by kaleidofish, but the bulk of this one's gameplay involves trying to figure out how to kill the vampire with your limited surroundings and whatever knowledge of traditional vampire myths you have. Pretty much all of the common ones can be used in some way, which is helpful in that it doesn't have to go into a bunch of tedious exposition, but a McDonald's doesn't have a ton of options when it comes to religious paraphernalia, for example, and thus creative thinking is required. This game in particular makes more use of your inventory than most of the IF games I've played. You actually start with a few items that turn out to be extremely helpful, which I did not realize my first few times through the game.

The vampire itself is treated as the villain, and it feels like that's gotten so rare in a world where Twilight is part of general history. Part of the vampire's plan does involve seduction, but it's not treated as anything attractive; it's treated like a predator hunting prey. Lucy herself takes the entire thing as just part of her duty, and treats the seduction thing as simply something to be dealt with. She's fairly no-nonsense in general, but cares about the safety and well-being of other people and thinks on her feet. You might trust her for help with a supernatural being trying to kill you after spending a game with her.


The game has sixteen different endings (of course), and there's a helpful list that details each ending and gives a hint for the ones you haven't gotten yet. As you play through the game, you also get bonus content, like vampire facts and a more spoofy sequel wherein Lucy gets to bring her two friends, Maggie and Luke, along to hunt even more vampires. The amount of content here is happily surprising considering it's a free IF game. There is also a "true ending" that I haven't quite unlocked yet, but I'm looking forward to it.

All in all, this is well worth the time you'll put into it. It has massive replay value and good goals to work towards. It's not a particularly deep game and maybe not filled with a bunch of new ideas, but there's also something refreshing about treating a villainous predator like a villainous predator.

And maybe, you'll never look at a McDonald's the same way again.


16 Ways To Kill A Vampire At McDonald's is available to play in browser through IFComp.

Final verdict: A simple but enjoyable game about good old-fashioned vampire killing, with enough replayability and bonus content to make it well worth your while.

16 Ways To Kill A Vampire At McDonald's is developed by Abigail Corfman. The opinions expressed in this review are my own. I was not compensated in any way for this review.